System of a down album rank
On In the Fire – a gospel-butressed production involving London indie-electronic duo Mount Kimbie – Dave lets Ghetts, Giggs, Fredo and Manchester rapper Meekz all have their say before he appears. The album encompasses many different voices and Dave seems to be making a point of letting his collaborators put their own stamp on his songs.Īs on Psychodrama, the 23-year-old born David Omoregie enlists childhood friend Kyle Evans and J Hus affiliate Jae5 for production duties, but this time he swaps out his mentor Fraser T Smith – a stalwart who has worked with everyone from Craig David to Adele – for James Blake, an artist with his own distinctive sound: an eerie, digitally warped sadness.
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WAAITT is a diverse record in many respects: touched by Afrobeats, gospel, electronica, drill and R&B, its most recurring sonic feature is a series of mournful piano figures. However, Clash, with its UK rap froideur and fixation on Rolexes, does not feel representative of the album it is taken from – but then no track on it does. It was an instant hit – reaching No 3 in the charts – and now well on its way to summer pop ubiquity, a testament to Dave’s multifaceted pulling power. A cold, imperious ode to conspicuous consumption, its appeal is hypnotic rather than melodic, the beat characterised by a deliberate sonic flatness.
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Photograph: Publicity imageĪn early taste of Psychodrama’s follow-up, however, showed that Dave wouldn’t be hemmed in by expectations of worthiness: We’re All Alone in This Together’s (WAAITT) first single, the Stormzy collaboration Clash, barely mentioned politics. The artwork for We’re All Alone in This Together.